The 1619 Project is a major initiative from The New York Times led by Nikole Hannah-Jones, observing the 400th anniversary of the beginning of American slavery. It aims to reframe the country’s history, understanding 1619 as our true founding, and placing the consequences of slavery and the contributions of black Americans at the very center of the story we tell ourselves about who we are. Read interactive version online or you can download a pdf of the entire August 18 New York Times Magazine here: https://pulitzercenter.org/sites/default/files/full_issue_of_the_1619_project.pdf
Regarding the Pain of Trump – Los Angeles Review of Books
by Rebecca Chace
A brilliant reflection on re-reading Susan Sontag’s Regarding the Pain of Others and the power and danger of images and need to be more than passive witnesses.
Images of suffering and atrocity now have unparalleled access to our most intimate spaces. Most of us keep that connection open in our pockets or in the palm of our hands….
We are vulnerable to images just as we are vulnerable to propaganda. Our visceral experience of violent and disturbing images has changed not only because of the unprecedented speed of their transmission but also because there is no longer any mediation between these images and the viewer. Media outlets used to edit what images were permissible to share with the public. Now, if we have access to the technology, we can share directly with each other in real time. There is true political power in the removal of the mediator, but as there is more to respond to, there is proportionally more emotional instability.
Read entire essay >
3 great online resources.
The Electronic Frontier Foundation: (EFF) Surveillance Self Defense Guide
The Integrity of the Image report from World Press Photo: Current practices and accepted standards internationally, when it comes to the manipulation of still images in photojournalism.
Storify piece by David Campbell on responses to the rejection of 20% of the entries for World Press Photo Competition for the over manipulation of the image: What are World Press Photo’s rules and standards on manipulation?
College Art Association (CAA) has published Copyright, Permissions and Fair Use among Visual Artists and the Academic and Museum Visual Arts Communities: An Issues Report
Link to the sites for more information and FREE downloads. Thank you to all 3 organizations for this service to the field.
It’s what I do – new memoir by Photojournalist Lynsey Addario
Article in New York Times Sunday Book Review
Excerpt in NY Times magazine: “What Can a Pregnant Photojournalist Cover? Everything.”
Article and video at TIME light Box
“I would never think of myself as a role model,” says Lynsey Addario. The 41-year-old, twice-kidnapped, mother-of-one, award-winning photojournalist has released, this month, her first book: an autobiography of her life as a Connecticut-born photographer who has spent the last 15 years witnessing the true human cost of war, particularly for women across the world. [read more of the TIME piece and watch video]
The hook for the TIME article is “Meet the Photographer Who Found How to Balance a Life of Love and War ” – Although this inspired from the tag line of her memoir (exact wording: “A Photographer’s Life of Love and War” – would the focus on ‘Balance’ ever been used to describe a male photojournalist? Lyndsey Addario has published many brilliant statements on the gender bias in war journalism. (see this post in The NY Times Lens Blog.) Many more entries about her on the Lens blog as well.
Another good interview can be found on the Word and Film website: One Woman’s Wars: A Q&A with Photojournalist Lynsey Addario.
Needless to say, I will be buying and reading the book.
The Best of Photojournalism – September 2014 -TIME LightBox
TIME Lightbox has amassed an interesting selection of recent photographs and fantastic group of recent articles looking at recent events in Ferguson, MO, Iraq, and Gaza, as well as the Ebola outbreak and more – LINK
Photogrammar is a web-based platform for organizing, searching, and visualizing the 170,000 photographs from 1935 to 1945 created by the United State’s Farm Security Administration and Office of War Information (FSA-OWI).
story about the project on NPR
More information on the project
Dorothea Lange ~ Watch Full Film: Dorothea Lange: Grab a Hunk of Lightning
American Masters | PBS.
American Masters — Dorothea Lange: Grab a Hunk of Lightning explores the life, passions and uncompromising vision of the influential photographer, whose enduring images document five turbulent decades of American history, including the Great Depression, the Dust Bowl and World War II Japanese internment camps. Peabody- and five-time Emmy award-winning cinematographer Dyanna Taylor — the granddaughter of Lange and writer/social scientist Paul Schuster Taylor — directs and narrates this intimate American Masters documentary.
more info and links to Dorothea Lange resouces
Female in Gaza – NYTimes.com.
Powerful photo essay in the April 20 Sunday Review by Photography & Imaging alumnus Monique Jacques
I have been photographing in Gaza for several years, initially to cover the conflict with Israel, but over time returning because I am mesmerized by the women, and their strength. [read more and view slideshow]
Monique Jaques is a photojournalist based in Istanbul. She has spent the past three years focused on documenting issues in the Middle East as well as Afghanistan and India. After graduating from New York University’s Photography and Imaging program she traveled extensively through the region and landed in Turkey. See her website for many more incredible projects.
NOOR’s Installation at the Zaatari Refugee Camp
Four photographers from the distinguished Amsterdam-based photojournalism collective NOOR spent New Years in the Zaatari refugee camp in Jordan. Located 18 miles from the Syrian border, the camp opened with just 100 families in July 2012. It now hosts around 120,000 residents, making it the second-largest refugee camp in the world….
… These four photographers also documented daily lives in the camp. The resulting images and some from the photo booth have now been made into large outdoor prints that will be hung on the 330 yards of barbed-wire T-walls that surround the entrance to the camp. The aim is to provide refugees inside Zaatari with a way to reflect on their own situation, as well as draw attention to the Syrian refugee crisis. read more
more from the Lens Blog:
An Inside View of Arab Photography.
Samer Mohdad was a 10-year-old boy living in the mountain village of his Druse ancestors when Lebanon’s civil war broke out in 1975. His life changed overnight: His childhood playmates were now his sworn enemies. The traumatic experience of the war, which lasted until 1990, stayed with him and, Mr. Mohdad believes, eventually led him to photography.