Maurice Berger, a research professor and curator, looks back on the events that led him to write about race and photography.
Using Photography to Tell Stories About Race
NY Times Lens Blog
Link to all of Maurice Berger’s stories about ratio and photography in the NY Times.
The Photographer Who Captures Tiny Post-Apocalyptic Worlds
From Petapixel on the work of Lori Nix + Kathleen Gerber (Nix+Gerber).
“Since 2005, Nix has been working on an project titled “The City,” which shows various scenes from a post-apocalyptic world... Pretty much everything in each scene is created by the two artists, and each scene takes about 7 months to create and shoot, from start to finish.”
Excerpts from their project The City
The Drawing Room created a 8-minute mini-documentary about the work of photographer Lori Nix and Kathleen Gerber, a duo now known as Nix+Gerber.
Lori Nix website
Frederick Douglass’s Faith in Photography
How the former slave and abolitionist became the most photographed man in America.
By Matthew Pratt Guterl, New Republic
“New, cheaper techniques of reproduction, Douglass believed, allowed for a truer, more precise impression of the person on display. They also made it possible for the subject of the photograph to determine, to some extent, how people read and understood the image. Frame by frame, the authors of the volume show how carefully Douglass tried—in an age where, for so many people of color, this was simply unimaginable—to control meaning.” [read complete article]
Photogrammar is a web-based platform for organizing, searching, and visualizing the 170,000 photographs from 1935 to 1945 created by the United State’s Farm Security Administration and Office of War Information (FSA-OWI).
story about the project on NPR
More information on the project
Dorothea Lange ~ Watch Full Film: Dorothea Lange: Grab a Hunk of Lightning
American Masters | PBS.
American Masters — Dorothea Lange: Grab a Hunk of Lightning explores the life, passions and uncompromising vision of the influential photographer, whose enduring images document five turbulent decades of American history, including the Great Depression, the Dust Bowl and World War II Japanese internment camps. Peabody- and five-time Emmy award-winning cinematographer Dyanna Taylor — the granddaughter of Lange and writer/social scientist Paul Schuster Taylor — directs and narrates this intimate American Masters documentary.
more info and links to Dorothea Lange resouces
The first major Garry Winogrand retrospective since 1988 is on view at the Metropolitan Museum of Art until Sept. 21
Born in the Bronx, Winogrand did much of his best-known work in Manhattan during the 1950s and 1960s, and in both the content and dynamic style he became one of the principal voices of the eruptive postwar decades. Known primarily as a street photographer, Winogrand, who is often associated with famed contemporaries Diane Arbus and Lee Friedlander, photographed with dazzling energy and incessant appetite, exposing some 26,000 rolls of film in his short lifetime. He photographed business moguls, everyday women on the street, famous actors and athletes, hippies, politicians, soldiers, animals in zoos, rodeos, car culture, airports, and antiwar demonstrators and the construction workers who beat them bloody in view of the unmoved police. Daily life in America—rich with new possibilities and yet equally anxiety-ridden and threatening to spin out of control—seemed to unfold for him in a continuous stream.
Important read in BagNews Notes:
Racism as Style: The Return of Blackface — BagNews
by Stanley Wolukau-Wanambwa
(adapted from the Tumblr blog, The Great Leap Sideways)
Excerpt from essay > “On Tuesday of this week, the British creative arts website It’s Nice That published a feature on a photo-shoot by French multi-disciplinary studio Akatre entitled Tropical. The images consist of two young naked women painted entirely (and unrecognizably) black, stood in front of a brightly patterned tropically-themed seamless backdrop, or reflected in the smooth dark mirrored surface of a black table…” [ read more ]
Happy to learn about thegreatleapsideways.com and greatleapsideways.tumblr.com, Stanley Wolukau-Wanambwa, editor. The sites showcase contemporary photography with small and extended surveys of work by contemporary photographers alongside extended interviews, features, videos and extracts from texts that illuminate the practise of photography and its wider context. Looks like a great resource.
[Reblogging this interesting piece from Buzz Feed]
Teaching The Camera To See My Skin by Syreeta McFadden – BuzzFeed
I was 12 years old and paging through a photo album; my memories of the days seemed to fade in the photo’s recreation. In some pictures, I am a mud brown, in others I’m a blue black. Some of the pictures were taken within moments of one another. “You look like charcoal,” someone said, and giggled. I felt insulted, but I didn’t have the words for that yet. I just knew that I didn’t want to be seen as a quality of a dark black that would invite hatred on my skin.
A year later, it was 1988 and the overhead kitchen light burned the dullest yellow as my mother placed four proofs on the table from an Olan Mills photo session. Each wallet-sized print contained various permutations of my little sister, my mother, father, and me. She wanted to know what we thought.
I considered each of the images. I couldn’t see my face. “Why do I look so dark?” [read more]