- Lesson #1: Make art about your life
- Lesson #2: Find inspiration in all of nature, including spiders and maggots
- Lesson #3: Revisit the same themes over and over again (but also keep experimenting)
- Lesson #4: Never stop making art
by Rebecca Chace
A brilliant reflection on re-reading Susan Sontag’s Regarding the Pain of Others and the power and danger of images and need to be more than passive witnesses.
Images of suffering and atrocity now have unparalleled access to our most intimate spaces. Most of us keep that connection open in our pockets or in the palm of our hands….
We are vulnerable to images just as we are vulnerable to propaganda. Our visceral experience of violent and disturbing images has changed not only because of the unprecedented speed of their transmission but also because there is no longer any mediation between these images and the viewer. Media outlets used to edit what images were permissible to share with the public. Now, if we have access to the technology, we can share directly with each other in real time. There is true political power in the removal of the mediator, but as there is more to respond to, there is proportionally more emotional instability.
“A book in an object, and its very properties cannot be approached without considering its content.”
The Forms and Functions of Photobooks (1)
from Joerg Colberg’s online photography magazine, featuring photographer profiles, interviews, articles, and book reviews.
One of my art heroes who continues to inspire me…
“The act of sewing together each piece of cloth in an act of reparation, of knitting our own peace and is especially important at this time of uncertainty,” -Doris Salcedo
In an act of protest against a civil conflict that has raged for more than 50 years, the plaza was covered in a massive white shroud bearing the names of the war’s many victims.
The public statement of mourning by artist Doris Salcedo was temporarily installed as the country grapples with the rejection of a peace deal with leftist Farc rebels that would have ended the war. [read more]
More on the intervention in an article on Hyperallergic
Watch this video for more on/by Doris Salcedo >>
And even more on this great artist on Art 21
And her Guggenheim exhibition is a great resource.
Nam June Paik is considered by many to be the inventor of video art.
Nam June Paik links in honor of his exhibition at the Asia Society until Jan 4, 2015
Good Morning Mr. Orwell
(Initially broadcast on New Year’s Day, 1984)
Nam June Paik’s rebuttal to Orwell’s dystopian vision of 1984, is the first international satellite installation by Video Art pioneer Nam June Paik. Paik’s transcultural satellite extravaganzas links different countries (France, Germany, US), spaces, and times in often chaotic but entertaining collages of art and pop culture, the avant-garde and television. Paik saw Good Morning Mr. Orwell as a rebuttal to Orwell’s dystopian vision of 1984.
>> More Info on project from Asia Society
Nam June Paik website has a good overview essay on Paik’s work, The Worlds of Nam June Paik by John Hanhardt, former film and video curator at the Whitney and Guggenheim and is now the Smithsonian American Art Museum’s video-art curator.
We live in an era of increasing automation. But as machines make more decisions for us, it is increasingly important to understand the algorithms that produce their judgments.
Living in the age of algorithms and how they affect our lives.
This is How a Camera Adds 10 Pounds via Petapixel
Striking example of how lenses and focal length affect what we see. Notice how head and nose change shape.
JOHANNESBURG — “Those are white people problems” is often the response to mental illness in black communities across the globe. South African photographer Tsoku Maela hopes to change that. [Read article]
Instagram and Contemporary Image (2016) is a free new downloadable book by Lev Manovich.
The book methods combine traditional qualitative approaches of humanities and computational analysis of 16 millions of Instagram photos in 17 global cities carried out in Manovich’s lab (softwarestudies.com) since 2012.
The book chapters arebeing released online under Attribution-NonCommercial-NoDerivatives 4.0 International Creative Commons license. The chapters are posted online as they are completed. (Three chapters have already been published, and two more will be added during summer 2016.)